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We have thus far been considering those arts which pertain more directly to living. We have presented some sketches found engraved on pieces of bone. We first noticed this among the relics found in one of the Creswell caves in England. It was also noticed in Belgium. It was among the Cave-men of Southern France that this artistic trait became highly developed. Among the reindeer hunters of the Dordogne were artists of no mean ability. We must pause a minute and mark the bearing of this taste for art. We have seen many reasons for supposing the men of the caves much farther advanced in the scale of culture than those of the Drift, but we have also seen that we can not rank them higher than the highest grade of savages.

United at home, the Romans were now prepared to carry on their foreign wars with more vigor; and their conquests of the Samnites and Latins made them the virtual masters of Italy. But the years which immediately followed the Licinian laws were times of great suffering. A pestilence raged in Rome, which carried off many of the most distinguished men, and among others the aged Camillus (B.C. 362). The Tiber overflowed its banks, the city was shaken by earthquakes, and a yawning chasm opened in the forum. The soothsayers declared that the gulf could never be filled up except by throwing into it that which Rome held most valuable. The tale runs that, when every one was doubting what the gods could mean, a noble youth named M. Curtius came forward, and, declaring that Rome possessed nothing so valuable as her brave citizens, mounted his steed and leaped into the abyss in full armor, whereupon the earth closed over him. This event is assigned to the year 362 B.C.

• Nicholas Bredimus
• Nicholas Bredimus
• Nicholas Bredimus
• Nicholas Bredimus
• Nicholas Bredimus

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