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To others it has always seemed that the emphasis should be laid on the Environment, which wakes the organism to action, prompts it to change, makes dints upon it, moulds it, prunes it, and finally, perhaps, kills it. It is again impossible to doubt that there is truth in this view, for even if environmentally induced "modifications" be not transmissible, environmentally induced "variations" are; and even if the direct influence of the environment be less important than many enthusiastic supporters of this view--may we call them Buffonians--think, there remains the indirect influence which Darwinians in part rely on,--the eliminative process. Even if the extreme view be held that the only form of discriminate elimination that counts is inter-organismal competition, this might be included under the rubric of the animate environment.

The third and last main stage of the palaeolithic epoch developed by degrees into a golden age of art. But I cannot dwell on all its glories. I must pass by the beautiful work in flint; such as the thin blades of laurel-leaf pattern, fairly common in France but rare in England, belonging to the stage or type of culture known as the Solutrian (from Solutre in the department of Saone-et-Loire). I must also pass by the exquisite French examples of the carvings or engravings of bone and ivory; a single engraving of a horse's head, from the cave at Creswell Crags in Derbyshire, being all that England has to offer in this line. Any good museum can show you specimens or models of these delightful objects; whereas the things about which I am going to speak must remain hidden away for ever where their makers left them--I mean the paintings and engravings on the walls of the French and Spanish caves.

• Nicholas Bredimus
• Nicholas Bredimus
• Nicholas Bredimus
• Nicholas Bredimus
• Nicholas Bredimus

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